GENEVA / CABRINI SCREENING MIGRANTS

Download

There is no media available to download.

Request footage
Cabrini film lead and Gomorrah star Cristiana Dell’Anna travelled to Geneva to highlight the age-old dangers confronting migrants and the astonishing Italian missionary who travelled to New York’s slums at the turn of the last century, determined to protect them. UNTV CH
Description

STORY: GENEVA / CABRINI SCREENING MIGRANTS
TRT: 04:52
SOURCE: UNTV CH
RESTRICTIONS: NONE
LANGUAGE: ENGLISH / NATS

DATELINE: 17 JANUARY 2025, GENEVA, SWITZERLAND

View moreView less
Shotlist

1. Wide shot, UN flag alley
2. Wide shot, Cabrini lead actress Cristiana Dell’Anna walking with Daniel Johnson from UNTV Geneva in flag alley
3. Wide shot, Cristiana Dell’Anna with Daniel Johnson in flag alley
4. Wide shot, Cristiana Dell’Anna with Daniel Johnson in flag alley
5. SOUNDBITE (English) Cristiana Dell’Anna:
“Being from southern Italy, the migration issue is very close to my heart. Southern Italians have always emigrated throughout history, especially during the Second World War and I have in my family people who have emigrated, and I am an emigrant myself.”
6. Wide shot, Cristiana Dell’Anna walking past UN Palace of Nations under renovation with Daniel Johnson
7. Wide shot, Cristiana Dell’Anna walking inside grounds of UN Palace of Nations with Daniel Johnson
8. SOUNDBITE (English) Cristiana Dell’Anna:
“This movie gives us an opportunity – gave me an opportunity - to tell a little bit of what we went through when we were the ones migrating and now we are the ones actually denying the right of dignity, which in my opinion, is a universal right and should be recognized as such.”
9. Wide shot, Cristiana Dell’Anna walking inside UN Palace of Nations with Daniel Johnson and posing for a photograph
10. SOUNDBITE (English) Cristiana Dell’Anna:
“I often ask myself, ‘Where does the migrant stand today in a world where we - it's easier to trade merchandise and it's easy for things to travel around the world rather than human beings; I wonder, we should probably reflect on these issues and understand where we place humankind compared to objects.”
11. Wide shot, Cristiana Dell’Anna addressing audience in Room XIX
12. Wide shot, tracking shot of Room XIX audience with Cristiana Dell’Ana shown speaking on big screen
13. Wide shot, Room XIX audience applauding
14. SOUNDBITE (English) Cristiana Dell’Anna:
“I think we should probably learn a lesson from this movie. Migrants are not really doing well, especially in southern Italy, in the whole country, I'm afraid to say. The way we treat migrants has changed radically and they've become more of a threat rather than an integral part of society as it should be.”
15. Various shots, scenes from official Cabrini trailer
16. SOUNDBITE (English) Cristiana Dell’Anna:
“It is very accurate - in fact, this one particular shot I'm thinking of, of some children, sitting on just by a little wall - it's inspired by a picture that was taken during those times. So, it is very accurate and everything you see in the movie’s actually happened at some point.”
17. Medium shot, audience in profile
18. Wide shot, Cristiana Dell’Anna holding flowers, applause
19. SOUNDBITE (English) Cristiana Dell’Anna:
“We've forgotten how to be inspired and I just think that Cabrini could very much aid that idea because it's a true story, it's a very compelling one.”
20. Various shots, scenes from official Cabrini trailer
21. SOUNDBITE (English) Cristiana Dell’Anna:
“I just I just thought that starting a dialogue in that sense and being here, it could be a good starting point to maybe try and ground again certain ideas, or ideals and principles that should be - they should be - our guidance through our daily life for everyone.”
22. Various shots, scenes from official Cabrini trailer.
23. SOUNDBITE (English) Cristiana Dell’Anna:
“I think she would be really pleased that we are telling the story. Not because of her, but because of the other huge main character that is in the story, which is the migrant. She’d be really pleased, because this is a very pertinent and contemporary issue that she would still address and she would still fight for, so the sole fact that we are talking about it, she probably be saying something like - she was very pragmatic - she would say, ‘Press on.’”
24. Various shot, scenes from official Cabrini trailer

View moreView less
Storyline

Cabrini film lead and Gomorrah star Cristiana Dell’Anna travelled to Geneva to highlight the age-old dangers confronting migrants and the astonishing Italian missionary who travelled to New York’s slums at the turn of the last century, determined to protect them.

“Being from southern Italy, the migration issue is very close to my heart. Southern Italians have always emigrated throughout history, especially during the Second World War and I have in my family people who have emigrated, and I am an emigrant myself,” Ms. Dell’Anna said today (17 Jan), ahead of a special screening of her film at the Palace of Nations in the Swiss city.

Inspired by the true story of Italian nun, Mother Francesca Cabrini, who Pope Leo XIII tasked with helping vulnerable migrants arriving in the United States at the turn of the last century, Cabrini offers an uncomfortable front row view of the discrimination and racism reserved for impoverished and dark-skinned Italian migrants who were unable to speak English in the already booming city, where Italian street children are denigrated as “monkeys”.
“It is very accurate - in fact, this one particular shot I'm thinking of, of some children, sitting on just by a little wall - it's inspired by a picture that was taken during those times,” Ms. Dell’Anna said. “So, it is very accurate and everything you see in the movie’s actually happened at some point.”

Despite serious lifelong sickness and with the help of other Italian nuns and volunteers in the notorious and often dangerous Five Points slum, Mother Cabrini took in orphans, fed, clothed and educated them. She was canonized for her work in 1946 – the first US citizen to be made a saint.

“We've forgotten how to be inspired, and I just think that Cabrini could very much aid that idea because it's a true story, it's a very compelling one,” Ms. Dell’Anna told UN News at the event, co-organized by the UN refugee agency (UNHCR), the Permanent Mission of Italy and the Permanent Observer of the Holy See. “And I just I just thought that starting a dialogue in that sense and being here, it could be a good starting point to maybe try and ground again certain ideas, or ideals and principles that should be our guidance through our daily life for everyone.”

She added: “I often ask myself, ‘Where does the migrant stand today in a world where we - it's easier to trade merchandise and it's easy for things to travel around the world rather than human beings?’ We should probably reflect on these issues and understand where we place humankind compared to objects.”

Latest UN estimates indicate that there are at least 281 million international migrants around the world, a number that has increased over the past five decades, with people continuing to move from their homelands driven by poverty, conflict and climate change. To accept the divisive and hateful rhetoric that this age-old phenomenon continues to inspire is to forget our humanity, Ms. Dell’Anna maintains.

“I think we should probably learn a lesson from this movie. Migrants are not really doing well, especially in southern Italy, in the whole country, I'm afraid to say. The way we treat migrants has changed radically and they've become more of a threat rather than an integral part of society as it should be.”

Ms. Dell’Anna added: “This movie gives us an opportunity – gave me an opportunity - to tell a little bit of what we went through when we were the ones migrating and now, we are the ones actually denying the right of dignity, which in my opinion, is a universal right and should be recognized as such.”

Asked what Mother Cabrini herself might have made of the film depicting her mission, Ms. Dell’Anna replied confidently that “she would be really pleased that we are telling the story. Not because of her, but because of the other huge main character that is in the story, which is the migrant. She’d be really pleased, because this is a very pertinent and contemporary issue that she would still address and she would still fight for, so the sole fact that we are talking about it, she probably be saying something like - she was very pragmatic - she would say, ‘Press on.’”

View moreView less
27846
Production Date
Creator
UNTV CH
Alternate Title
unifeed250117k
Subject Topical
MAMS Id
3330096
Parent Id
3330096